The Red Car to Hollywood
Los Angeles, 1924
Sixteen-year-old Ruby Chan considers herself a modern, independent American girl. But when her secret relationship with a white boy implodes—and then is revealed to her very traditional Chinese parents—she’s in a tough spot. Horrified that Ruby’s reputation is at risk, her parents hire a matchmaker to find her a Chinese husband. Ruby is determined to foil their plans. But how?
Meanwhile, Ruby meets the nineteen-year-old film star Anna May Wong, one of her neighbors in LA’s Chinatown. The girls quickly strike up a friendship. Anna May defies Chinese convention by working as an actress on the silver screen, and she scoffs at white people’s assumptions about her. If she can forge her own path, surely Ruby can too.
Not everything is as it seems, though. Danger and betrayal lurk amidst the new possibilities. To build the life she wants, Ruby will have to contend with how others see her—and decide if she’s ready to truly see herself.
| Format | Your Price | Add |
|---|---|---|
|
978-1-7284-9321-3
On pre-order until 03/04/2025
|
$14.99 | |
|
979-8-7656-5087-5
On pre-order until 03/04/2025
|
$24.99 |
Author: Jennie Liu
Jennie Liu is the daughter of Chinese immigrants. She has been fascinated by the attitudes, social policies, and changes in China each time she visits. Her young adult novels have won honors including a Freeman Book Award Honorable Mention and an In the Margins: Best Books for Teens award. She lives in North Carolina with her family.
Reviews
Publishers Weekly
“Centering female perspectives—such as Ruby’s ruminations on her mother’s own marriage, her witnessing Anna’s attempts to break Hollywood glass ceilings, and her recovering from sexual assault at the hands of a powerful individual—serves to showcase myriad additional challenges posed against Chinese American women in a narrative that expertly captures a complex historical moment.”—Publishers Weekly
Kirkus Reviews
“Ruby’s determination and pride in her cultural heritage are easy to root for, and her narrative closes on a satisfying note.”—Kirkus Reviews