The Knight of Little Import
Poor Charlie is a young knight who can’t find a single beast to slay. If only the town of Little Import weren’t so quiet. Hark! What is that? It’s Mr. Galette, and he has a problem in his bakery. Clever Charlie realizes at once that a monster is the culprit: the triple-tier hungerbeak! So begins an epic quest to capture monsters throughout town and find a safe place for them to live . . . in the world’s very first monster sanctuary!
|Interest Level||Kindergarten - Grade 3|
|Reading Level||Grade 2|
|Category||SEL: E Responsible Decision-Making, Social Emotional Learning|
|Publisher||Lerner Publishing Group|
|Imprint||Carolrhoda Books ®|
|Number of Pages||40|
Author, Illustrator: Hannah Batsel
Hannah Batsel is a book artist and illustrator who fell in love with bookmaking while pursuing a Fine Arts degree at the University of Georgia. She began printing her own illustrated art books on a Vandercook printing press from the 1950s and hand-binding them in small limited editions. Hannah has published two picture books for children: A is for Another Rabbit, inspired by the two rabbits she adopted from her local animal shelter, and The Knight of Little Import, about solving small problems to make a big difference.
Hear ye, hear ye! The new picture book The Knight of Little Import is out in all bookstores now! Young knight Charlie lives in the town of Little Import where nothing exciting ever happens. Until . . . she discovers there are monsters all around, and only she knows what to do to help her View →
- Booklist Editor's Choice
“For her collages, Batsel (A Is for Another Rabbit) works with a sweepingly wide range of unfussy materials, including thread, sawdust, and artificial turf—selections true to the spirit of this tale of resourcefulness, improvisation, and pluck. Although the author isn’t so artless as to say so, The Knight of Little Import delivers the message that a good imagination is more rewarding than all the money in Biggerborough.” —Shelf Awareness
“[A] playfully interactive story that suggests the grass isn’t always greener somewhere else.” —Publishers Weekly
“Batsel’s artwork is a mesmerizing display of extraordinary mixed-media collage using a variety of handmade and purchased paper alongside paints, ink, watercolors, embroidery floss, artificial turf, and painted sawdust. Every page, down to the endpapers, is textured, rich, layered, and lovely. Batsel’s second book as author-illustrator is quite the achievement.”— starred, Booklist
“Tongue-in-cheek and not at all of little import.” —Kirkus Reviews